Don’t shoot from the hip

“I never shoot without using the viewfinder.” – Garry Winogrand

Another common mistake that aspiring street photographers make is that they try to overcome their fear of shooting street photography by shooting from the hip (photographing with your camera at waist-level and not looking through the viewfinder).

Personally when I started shooting street photography, I was dependent on “shooting from the hip” (2010). I was too scared to bring my camera’s viewfinder up to my eye, because I was afraid of getting “caught” of taking candid photos of strangers.

Garry Winogrand was one of the most prolific street photographers in history. He shot with a Leica M4, 28mm lens, and was known for creating layered, edgy, and head-on shots. If you go on YouTube, you can see how close he is to his subjects when shooting, and he always quickly looks through his viewfinder while shooting. This allowed him to frame properly, and capture the moments he found interesting.

“[Don’t shoot from the hip], you’ll lose control over your framing.” – Garry Winogrand

In my experience, I found that shooting from the hip was a huge crutch. The more I shot from the hip, the less confident I was as a street photographer. Not only that, but as Garry Winogrand said, I lost control over my framing. My shots would be poorly framed, skewed, and any shot that I got that looked half-decent was because of luck.

As a street photographer, you aren’t doing anything wrong. You are trying to make images that people can empathize with. If it weren’t for street photographers, historians would have no idea what people did in public spaces in the past. All of the iconic street photography done by Henri Cartier-Bresson, Helen Levitt, and Vivian Maier wouldn’t exist.

Be confident. Have faith in yourself. By not shooting from the hip, you’re signaling to the world that you’re not doing anything wrong. Also by using your viewfinder (or LCD screen), you can have better control over your framing and composition.

My suggestion: Look at your subject, smile, say “thank you” and move on.


  1. Jorge Soriano says:

    Well, nice story but I do not fully agree. Shoothing from the hip helps me to take quickly scenes that I would lose if I was trying to compose through the viewfinder. In addition, there are some solutions on the market that also helps you in the composing without needing to raise your camera to a level eye. Moveable screens for instance. Do you remember that old TLR cameras? I used some Rolleis, Yashica and Mamiya ones and I feel the same with a modern mirrorless MFT with a moveable screen.

    1. Elvinas Vilutis says:

      Thanks for the visit and comment. Over time, I feel like changing my mindset about street photography, style. I think all ways of photography can bring great street photography photos, you need only devotion and love.

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